I eventually went to metal stamps, which deceptively a lot harder than it looked...I could never get a complete design, and when I would try a second hit, I got a lot of shadow images!
Next was etching...I like the result, but it is messy.
Next, after falling in love with Keirsten Giles' gorgeous stamped designs, came hammering brass texture plates directly onto the metal. Her generous posts on using vintage coins actually opened my eyes to more possibilities...also, she stressed the fact that you needed to anneal the metal and tape it down to your steel block so it doesn't move! Why didn't I think of that! I still love this technique and use it frequently!
Next, I became drawn to gorgeous designs by various artists created by using ordinary textures found in nature...leaves, lace, screen mesh, etc. This, I found out, entails using a rolling mill. Want! But, yikes, the least expensive ones are expensive! Like so many of us, I was/am broke!
Fast forward to seeing a blog posts by Erin Prais-Hintz about her Vintaj Big Kick. I was intrigued and interested, but not so much in using the thin brass Vintaj blanks that were recommended. I wanted to use metal sheet, and I wanted it to be more durable. Then, this past fall I came across a blog post at Cinnamon Jewellery on her experiments with the Sizzix Big Shot. I immediately decided I wanted to give this a go. Right before Christmas, I found it on sale at Amazon and told Hubby that he could get it for me to put under the tree or I would get it for myself. Nice, obedient (snort) guy that he is, he got it, but wouldn't let me play with it until after Christmas!
Here it is...
I have tried up to 22 gauge metal with great success. The trick is to anneal the metal very well. I usually pickle afterward so as not to stain the embossing folders with firescale and grunge! The cool thing about these folders is that they are a bit transparent so you can see the design on top of the metal and line up the metal exactly where you want the embossing to happen. The folder has a positive and negative design, so the finished piece is 2-sided, unlike etching and stamping.
Here are a few pieces I have created since using mine...
|These were patina'ed with Ranger Inks and sealed with Ice Resin|
...featuring ceramic beads by LeAnn Weih.
|These were torch-fired enameled for a cool effect...featuring lampwork by Jelveh Jafarian.|
|These were run through the Big Kick, then punched with holes!|
|Favorites..they were bought by my sister as a gift to her daughter-jn-law! I need to make more!|
That's all for today...I want to do some more experimenting using texture plates and maybe some found object textures, but that will have to wait...I have an 11 yo with the dreaded flu, and 3 new baby guinea pigs to figure out! Please share any experiences you have had with using the Big Shot or Big Kick with metal...especially non-Vintaj brass!
Thanks for letting me share this older post....a few months after I posted this, I did a followup, using other things for embossing...check it out here! And don't forget that 1 week from today is the AJE Component of the Month hop, featuring metal clay components from yours truly!!!